4/5 PM V. 1 year ago on Google
BAPS
Akshardham
Temple.
Gandhinagar.
As
was
expected
there
was
a
fair
crowd,
mostly
devotees
of
Lord
Swaminarayan
and
a
few
of
our
kind,
generally
called
“the
tourists”,
who
come
to
see
so-called
tourist
attractions,
which
are
generally
beautifully
constructed,
well-landscaped,
and
laid-out
buildings,
temples
etc.
One
can
not
carry
mobile
phones
or
cameras
in
the
temple
IMPORTANT
TO
NOTE
1. If
you
go
to
the
gate
directly
you
will
be
sent
back
to
the
deposit
room
to
deposit
all
your
phones
and
cameras.
If
there
is
too
much
of
a
crowd
and
you
have
to
return
all
the
way
back
to
deposit
the
phones/cameras
is
quite
frustrating.
So
go
and
deposit
the
phones/
cameras
first.
A
token
will
be
issued
to
reclaim
the
items
deposited.
To
compensate
for
this
the
temple
authorities
have
their
own
photographer
who
takes
your
photos
which
can
be
collected
after
a
gap
of
about
30
minutes.
Of
course,
this
comes
at
a
cost
and
you
have
to
pay
for
the
photocopy.
The
Photo
for
which
we
paid
is
attached.
2. While
issuing
the
token,
a
photo
of
the
person
who
is
depositing
the
items
is
captured.
If
visiting
in
a
larger
group,
remember
that
only
the
person
who
has
deposited
the
items
can
reclaim
them.
This
insures
that
no
fraud
takes
place.
Those
who
go
to
Akshardham
or
any
temples
considered
tourist
attractions
are
not
necessarily
atheists.
At
these
places
of
worship,
We
the
tourist
also
pray
and
pay
obeisance
to
God.
We
being
who
we
are,
like
to
have
something
to
remind
us
of
our
visit
to
these
wonderful
places.
Photos
taken
at
that
place
are
the
only
memories
we
can
carry.
I
see
no
logic
or
valid
reason
for
the
“No
photographs”
rule
at
Akshardham
or
any
other
place
of
worship
or
of
tourist
interest.
It
is
high
time
the
Department
of
Tourism
issued
guidelines
on
this
subject.
Akshardham
Gandhinagar
lives
up
to
the
rightly
earned
reputation
of
r
by
the
“Akshardham”
temples
built
by
BAPS
all
over
India
and
the
World.
Like
all
the
others,
Akshardham
Gandhinagar
is
grand,
it
is
huge,
and
it
is
built
of
pink
red
sandstone
with
exquisite
and
amazingly
beautiful
carvings,
It
is
located
in
a
vast
sprawling
ground.
These
grounds
are
very
nicely
and
professionally
landscaped
with
the
right
kind
of
well-maintained,
trimmed
plants
and
shrubs.
It
also
has
plats
and
shrubs
with
excellent
topiary
work.
As
you
face
the
temple,
on
the
right,
there
are
five
exhibition
halls.
Others
from
the
group
were
happy
with
whatever
we
had
seen
by
then
and
wanted
to
proceed
to
the
next
place.
But
I
wanted
to
see
one
of
the
halls
named
“The
Mystic
India”.
I
was
sent
off
to
satisfy
my
wish
with
a
stern
warning
not
to
take
more
than
half
an
hour.
So
off
I
went.
One
cannot
enter
any
hall
at
his
will.
The
entry
has
to
be
through
hall
number
one,
progressing
from
hall
1
to
hall
2,
and
so
on
and
so
forth
till
you
reach
hall
five
and
finally
exit
the
hall’s
corridor.
So,
I
went
to
hall
number
1.
Entry
to
the
exhibition
halls
is
as
per
laid
down
timings.
Luckily,
I
did
not
have
to
wait
too
long.
Exhibition
Hall
no
1
had
paintings
of,
life-size
tableau
covering
the
start
of
the
pilgrimage
by
Shri
Swaminarayan
at
the
age
of
11.
There
is
also
an
audiocassette
playing
in
the
background
describing
the
paintings
and
the
tableau.
As
I
was
in
a
hurry
I
walked
fast
through
the
hall.
My
progress
was
halted
as
the
exit
door
to
hall
1
and
entry
door
to
hall
2
both
were
closed.
The
doors
were
opened
only
after
the
audio
cassette
ended
describing
events
covered
in
painting
and
tableau
in
hall
no
1.
As
I
was
pressed
for
time
I
requested
the
staff
and
came
out
without
going
through
the
other
4
exhibition
halls.
Apparently,
there
is
a
continuous
audio
recording
describing
the
life
and
achievements
of
Shri
Swaminarayan.
Your
progress
through
the
halls
is
controlled
by
the
progressive
unwinding
of
the
audio
cassette.
The
recording
is
approximately
2
hours
plus
duration.
So
if
you
want
to
see
all
the
exhibition
halls
earmark
about
2
hours
plus
for
that
activity.
I
joined
others
and
we
were
good
to
go
for
Dandi
Kutir
which
was
the
next
place
on
our
itinerary.
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