5/5 G S. 3 years ago on Google
To
fully
understand
the
museum/Bauhaus,
a
look
at
its
syllabus
(Bauhaus
1919-1933)
will
explain
much
of
the
displays/artifacts
and
the
different
stages
of
collaboration
and
design.
Together,
they
showcase
the
many
efforts/leaders,
distinct
avant-garde
lineage
and
versatility
of
its
artists.
From
here,
connect
the
dots
from
your
childhood
memory/exposure
through
the
years
from
architectual,
interior
design,
typography,
furniture,
etc.
To
fully
appreciate
such
concepts
true
today
you
will
find
many
reference
points,
such
as
Marcel
Breuer's
(Bauhaus'
most
talented
furniture
designer)
Wassily
chair,
Mies
van
der
Rohe
(third
and
last
director
of
Bauhaus)/Lilly
Reich
iconic
Barcelona
chair
and
associated
designs
to
include
Tugendhat
Villa
architecture/furniture.
Additional
references:
Brno
chair,
Cesca
chair,
Gropius
armchair,
LC3
armchair,Eileen
Gray
end-table,
LC4
Chaise
Lounge,
Bibendum
armchair,
Thonet
b9
chair,
S
285
Marcel
Breuer,
Wilhelm
Wagenfeld
lamp,
Isokon
Chair,
to
name
a
few.
Frame
your
mindset
as
you
approach
the
museum,
imagine
secular
events
1919-1933,
with
that,
it
will
be
challenging
to
find
a
better
example.
After
the
closure
of
Dessau
Bauhaus,
all
the
talented
students,
instructors,
etc.
migrated,
influencing
the
arts/design
across
the
globe.
Bauhaus
founder
Walter
Gropius
migrated
to
Boston
Mass
and
continued
as
a
professor
at
Harvard
University
graduate
studies
of
design.
Harvard
carries
the
largest
collection
of
Bauhaus
artifacts
outside
of
Germany.
Todays
Bauhaus
museum
exterior,
a
very
dramatic/extrapolated
design
of
the
original
Bauhaus
School
curtain
wall
by
Gropius.
Laszlo
Maholy-Nagy,
a
Bauhaus
professor
advocated
integration
of
technology
and
industry
into
the
arts.
Most
notably
was
his
inspiration
behind
the
new
typography.
He
would
eventually
migrate
to
Chicago,
IL
as
director
of
the
New
Bauhaus
School.
Albert
Einstein
was
a
member
of
Bauhaus
Dessau,
Gropius'
cultural
policy
lobby
called,
'Society
of
Friends
of
the
Bauhaus'
which
provided
intellectual
and
moral
support.
Walter
Knoll
of
Bauhaus,
his
son,
Hans
Knoll
married
Florence
(Knoll)
(Knoll
Home
Designs)
who
studied
under
Mies.
And
the
Bauhaus
lineage
continues.
Florence
(passed
away
2019)
also
worked
with
Eero
Saarinen
and
other
iconic
architects/interior
designers.
Steve
Jobs
(Apple)
in
1981,
attended
his
first
conference
at
the
Aspen
Institute
where
Austrian
artist
and
architect Herbert
Bayer in
the
1940s
and
’50s,
then
the
last
surviving
Bauhaus
master
showcased
distilled,
sleek
design
concepts.
Today,
Steve
Job's
product
legacy
designs
were
influenced
by
the
"less
is
more",
the
slim
designs
many
carry
on
our
person,
i.e.
iPhone,
laptops,
mp3,
etc.
You
can
see
the
lineage
influence
as
the
early
large,
bulky
as
a
brick,
cell
phone
designs
shifted
away.
Ferdinand
Porsche
attended
the
Ulm
School
of
Design,
learned
from
several
Bauhaus-trained
instructors,
including
its
principal,
Max
Bill.
Bauhaus
tenets
of
clean,
uncluttered
design
and
form
after
function
made
themselves
apparent
in
Porsche’s
most
famous
creation,
the
911,
which
debuted
in
1963.
The
1961
Neue
Klasse
BMW
1500
was
the
Bauhaus-on-wheels
and
established
a
BMW
design
language
that
was
to
last
for
40
years.
The
Bauhaus-inspired
BMW
design
language
begun
by
Paul
Bracq
and
developed
by
Wilhelm
Hofmeister.
Mercedes-Benz
Gorden
Wagener,
Head
of
Design
at
Daimler
AG,
"Bauhaus
is
one
of
the
most
influential
stylistic
movements
and
has
been
considered
a
revolutionary
trailblazer
in
the
fields
of
art,
architecture
and
design.
Its
simplicity
of
form
and
reduction
to
the
essential
is
also
reflected
in
Mercedes-Benz
Design,"
says
Wagener specifying the
links
to
Bauhaus
design.
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