5/5 Ankur K. R. 1 year ago on Google
Sree
Adikesava
Perumal
Temple:
2500
Years
of
Glorious
Heritage
Sree
Adikesava
Perumal
Temple,
situated
in
Thiruvattar
in
Tamil
Nadu
(formerly
a
part
of
southern
Kerala),
has
been
in
existence
for
circa
two
and
half
thousand
years.
It
is
one
of
the
108
Vaishnava
temples,
Divya
Desam,
in
India.
However,
during
recent
past
its
significance
has
become
understated.
The
Deity
is
an
incarnation
of
Lord
Vishnu,
Ananthasayanam,
as
Lord
Adikesava
he
is
in
recumbent
pose
(Yoganidra),
with
eyes
closed
dreaming
of
manifesting
the
universe
whilst
reclining
on
the
coiled
body
of
the
Serpent
King,
Adiseshan,
who
is
a
symbol
for
the
beginning
of
time.
According
to
the
Puranas,
Lord
Brahma
performed
a
Yaga
without
Saraswathi
Devi,
as
a
result
of
Saraswathi’s
anger
two
asuras,
Kesan
and
Kesi
emerged
out
of
the
sacrificial
fire,
these
asuras
troubled
the
Three
Worlds.
The
Devas
approached
Vishnu
for
a
solution.
Following
an
almighty
battle
Lord
Mahavishnu
in
the
form
of
Kesava,
Perumal
defeated
Kesan,
and
then
to
secure
him
Adiseshan
coiled
around
him.
This
is
how
Lord
Kesava
Perumal
became
known
as
‘Adi
Kesavan’.
The
second
asura
Kesi,
who
had
seen
her
brother
Kesan
defeated,
wanted
revenge
and
with
her
friend,
Kothai
they
both
took
the
form
of
rivers
and
surrounded
the
temple
with
the
intention
of
submerging
it.
Bhoomi
Devi
(the
earth
Goddess)
raised
the
temple
away
from
the
waters,
and
today
the
temple
is
surrounded
by
the
rivers
Parali
and
Kotha
and
stands
at
a
height
of
55
feet
from
ground
level.
The
Puranas
say
‘the
rivers’
repented
and
were
forgiven,
then
Perumal
had
a
dip
in
Moovaatru
Mukham,
the
place
where
the
rivers
joined
with
the
Arabian
sea
and
even
today,
during
Painguni
Utsavam,
Perumal
comes
on
a
golden
Garuda
for
a
dip
in
the
river,
re-enacting
the
Shapa
Vimochana
incident.
Thiruvattar
Temple
is
orbited
by
a
protective
necklace
of
Shivalingams,
and
in
March,
during
Mahasivarathri,
pilgrims
visit
these
shrines
chanting
‘Govinda’,
Lord
Vishnu’s
name.
The
famous
Shivalaya
Ottam
is
said
to
be
only
complete
when
the
devotees
end
their
trip
in
the
Perumal
temple.
There
are
too
many
sacred
associations
and
agamas
to
mention
here
but
scholars
and
devotees
may
approach
the
temple
for
further
discovery.
Sree
Adikesava
Perumal
Temple
2500
Years
of
Glorious
Heritage
Typically
a
temple
is
built
around
a
gigantic
single
block
Mandapam
stone
on
which
the
Vigraham/
idol
is
placed.
The
earthly
representation
of
Adikesava
is
constructed
as
the
human
body,
a
Karungali
wood
framework
forms
his
skeleton,
a
concoction
of
coconut
husks
adheres
to
the
skeleton
representing
the
nervous
systems
and
16,008
strategic
Shaligrama
stones
from
Nepal
replicate
his
organs
and
his
human
form.
His
skin
has
seven
applications
of
Kadusharkara
Kalkam
polished
to
perfection.
His
visions
of
evolution
from
fish
to
horseman
are
manifested
in
stone
on
the
southern
wall
of
the
Ottakkal
Mandapam;
the
last
two
avatars,
Buddha
and
Kalki
are
being
repaired
and
will
soon
return
to
the
northern
wall.
The
daily
poojas
are
performed
in
the
Archana
Vigrahas
and
the
daily
Abhishekas
(bathing)
of
the
Lord
takes
place
at
the
Ottakal
Mandapam.
Inside
the
Sanctum
Santorum
are
the
symbols
of
the
Sun,
Moon
and
manifestations
of
the
Discus
and
Mace,
Vishnu’s
weapons.
These
ancient
carvings
according
to
Purana
wisdom
demonstrate
the
cosmic
science
of
Hindus.
Artistic
wooden
carvings
are
all
around
the
temple
and
there
are
infinite
geographical,
architectural,
astrological,
historical
and
literal
references
to
the
divinity
of
the
idol.
The
temple
architecture
is
Dravidian
style
architecture
with
wooden
pillars,
doors
and
roofs.
The
lord
is
lying
on
his
snake
couch
and
has
to
be
viewed
through
three
doors.
We
could
see
Lord
Shiva
near
Lord
Adikesava
Perumal
inside
the
sannidhi.
Deepalakshmis
are
many
but
none
resembles
the
other.
The
Otraikkal
Mandapam
(single
stone
hall)
made
of
a
single
stone
3
feet
thick,
is
a
marvel.
Oorthuva
Thandavam,
Venugopala,
Rathi,
Manmatha,
Lakshmana
and
Indrajit
are
excellently
carved.
The
temple
is
also
renowned
for
its
murals.
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