3/5 Helena M. 6 months ago on Google • 614 reviews
A
branch
church
of
the
Ljubljana
parish
of
St.
Peter.
Janez
Vajkard
Valvasor
in
Slava
vojvodina
Kranjska
(1689)
writes
that
the
church
of
Our
Lady
had
three
altars:
the
large
one
was
dedicated
to
the
patroness
of
the
church,
and
the
side
one
to
the
birth
of
Christ
and
St.
John
the
Baptist.
Between
1740
and
1746,
a
new
Baroque
building
was
built
on
the
site
of
the
originally
Gothic,
enlarged
pilgrimage
church
in
the
middle
of
the
17th
century
under
the
leadership
of
the
builder
Abondio
Donino:
the
church
was
vaulted
in
1741,
and
consecrated
on
August
13,
1747.
The
authorship
of
the
plans
for
it
is
attributed
to
the
architect
Candido
Zulliani
,
and
the
architect
Matija
Persky
may
also
have
participated
in
the
completion
of
the
church's
exterior.
The
stonemason
Franc
Grumnik
took
care
of
bržkone
for
joinery
until
1744,
and
after
that
year
he
was
succeeded
by
the
stonemason
Lodovico
Bombasi,
who
paved
the
church.
A
year
before
the
consecration,
the
painter
Valentin
Metzinger
painted
three
altar
paintings:
the
lost
painting
of
Mary
with
Jesus
carried
by
angels,
under
which
the
church
on
Rožnik
with
pilgrims
was
depicted
(1746),
in
the
throne
of
the
high
altar
was
later
replaced
by
the
painting
Mary's
Visitation
by
Juri
Šubica
from
approx.
1887–88
(in
the
altar
there
is
now
a
copy
from
1944,
and
the
original
is
kept
in
the
Franciscan
monastery
in
Ljubljana).
Metzinger's
picture
of
St.
Cosmas
and
Damian
(sign.
and
dat.
V.
M.
/
1746),
which
was
in
the
throne
of
the
left
altar,
is
kept
in
the
Franciscan
monastery
in
Ljubljana,
his
painting
of
St.
Today,
Mary
Magdalene
is
in
the
throne
of
the
right
altar.
During
the
Josephine
reforms,
the
church
was
closed
in
1785,
and
the
building
suffered
great
damage
during
the
French
bombardment
of
Ljubljana
in
1809,
so
it
was
emptied
at
that
time
and
the
equipment
was
stored
at
the
church
of
St.
Peter.
At
the
request
of
the
surrounding
municipalities,
the
church
was
reopened
in
1814,
and
the
original
equipment
was
partially
returned,
as
Metzinger's
student,
the
painter
Janez
Potočnik,
"restored"
the
altarpiece
of
St.
Mary
Magdalene
(sign.
and
date
Pototschnig
1818).
The
building
was
also
thoroughly
repaired
in
1823,
and
the
most
changed
was
the
facade
with
a
new
pilaster
division
of
the
wall.
In
1826,
the
church
was
administered
by
the
Franciscans,
and
ten
years
later
it
became
a
Franciscan
branch
and
received
today's
patronage
of
the
Visitation
of
Mary.
Towards
the
end
of
the
19th
century,
the
Franciscans
thoroughly
renovated
the
interior
of
the
church.
In
the
years
1887,
1892
and
1895,
the
stonemason's
workshop
of
Feliks
Toman
made
three
new
altars
and
a
pulpit
in
the
Neo-Renaissance
style.
Four
wooden,
white
polychromed
baroque
statues
from
the
middle
of
the
18th
century
were
placed
on
the
side
altars,
and
the
Way
of
the
Cross,
a
work
by
Janez
Potočnik
from
1802,
was
hung
on
the
walls
of
the
nave.