5/5 Paulo C. 3 years ago on Google • 735 reviews
Jorge
Vieira
Man
-
Sun
Monumental
sculpture
inspired
by
the
Sun,
with
a
vaguely
anthropomorphic
structure,
along
which
angular
shapes
of
rods
and
crescents
rise,
evoking
a
human
figure.
It
is
about
20
meters
long,
weighs
15
tons
and
has
iron
oxide
as
the
final
color.
"Homem-Sol"
is
a
kind
of
testament-synthesis
of
the
work
that
Jorge
Vieira
created
over
a
career
spanning
around
50
years,
bringing
together
surrealist
symbiosis
with
pure
abstraction,
primitivist
schematism
with
three-dimensional
exploration.
Jorge
Ricardo
da
Conceição
Vieira
was
born
in
Lisbon
on
November
16,
1922
and
died
in
Évora
in
1998.
He
developed
an
artistic
path
marked
by
primitivism,
abstraction
and
surrealism.
He
completed
his
training
at
the
Lisbon
School
of
Fine
Arts.
He
began
by
attending
the
Architecture
course,
switching,
shortly
afterwards,
to
Sculpture.
While
still
a
student,
he
participated
in
the
General
Exhibitions
of
Plastic
Arts
(1947
and
1951)
and
became
close
to
Surrealism.
His
time
at
the
Slade
School
of
Arts
in
London
played
a
fundamental
role
in
his
training,
as
it
provided
him
with
direct
contact
with
great
names
in
sculpture
such
as
Henry
Moore,
Reg
Butler,
among
others.
Furthermore,
he
traveled
around
Europe,
having
come
into
contact
with
the
art
of
Picasso,
Arp,
Max
Ernst
and
Victor
Brauner.
Returning
to
Portugal,
Jorge
Vieira
developed
a
discreet
but
regular
collaboration
with
architects
(Frederico
George,
Conceição
e
Silva,
Daciano
Costa),
creating
reliefs
or
decorative
sculptures
for
several
buildings
(on
Av.
Infante
Santo,
in
Lisbon,
1957;
agency
gates
bank
Fonsecas
&
Burnay,
in
Chiado,
in
1959;
decorative
panels
for
the
Saldanha
metro
station,
in
Lisbon,
1996).
He
held
his
first
solo
exhibition
in
1949
(SNBA,
Lisbon).
Since
then,
he
has
participated
in
national
and
international
sculpture
and
fine
arts
exhibitions,
was
awarded
prizes
in
fine
arts
exhibitions
organized
by
the
Calouste
Gulbenkian
Foundation
(1957
and
1961)
and
represented
Portugal
at
the
2nd
SĂŁo
Paulo
Biennial
(1953).
In
the
1950s,
Jorge
Vieira
received
his
first
recognition
outside
of
Portugal
when
he
was
awarded
a
prize
in
a
competition
of
great
international
importance,
dedicated
to
the
"Unknown
Political
Prisoner".
This
competition,
promoted
by
the
Institute
of
Contemporary
Arts
in
London,
saw
the
participation
of
several
dozen
artists
of
different
nationalities.
Jorge
Vieira
was
the
only
Portuguese
artist
admitted
to
the
competition,
obtaining
a
second
prize
that
allowed
him
to
participate
in
the
exhibition
shown
at
the
famous
Tate
Gallery.
All
this
international
prominence
was
not
enough
for
the
artist
to
be
able
to
develop
public
sculpture
projects,
except
for
some
sculptural
sets
for
stores,
institutions,
universities
and
banking
entities
(some
of
these
works
were
destroyed
or
are
missing).
Only
from
the
90s
onwards
did
he
develop
a
series
of
public
commissions
of
great
monumentality,
such
as
the
sculpture
at
the
end
of
his
career
found
in
Parque
das
Nações.
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