5/5 நமச்சிவாயவே நன்நெறி �. 6 months ago on Google
The
Arulmigu
Thiyagarajaswamy
Temple
in
Tiruvottiyur
holds
a
rich
history
and
diverse
traditions,
making
it
a
place
of
unique
significance.
Its
story
is
intertwined
with
Tondaiman,
a
devoted
follower
of
Lord
Shiva,
who
undertook
a
remarkable
endeavor.
In
750
A.D.,
Tondaiman
restored
the
Thiagarajaswamy
Temple,
leaving
an
indelible
mark.
He
worked
tirelessly
on
its
renovation,
creating
several
shrines
within
its
sacred
premises,
including
Vadivudai
Amman,
Gunalaya
Vinayagar,
Vattapparai
Amman,
Valarkali
Amman,
Arul
Jothi
Murugan,
Akasalingam,
Sahasralingam,
and
the
27
Natchktras.
Additionally,
he
was
instrumental
in
constructing
the
temple's
grand
gopuras
and
walls.
Tondaiman's
dedication
didn't
end
there.
He
procured
500
shivalingas
and
brought
500
austere
Brahmins
from
Kasi
to
reestablish
the
temple,
adhering
to
the
agama
texts.
His
contributions
also
extended
to
organizing
the
Tirukkadalattu,
a
remarkable
water
festival
held
during
Masi
Magam.
Tondaiman's
generosity
was
evident
as
he
donated
extensive
lands
and
towns
to
the
temple.
As
a
result,
the
Arulmigu
Thiyagarajaswamy
Temple,
housing
an
awe-inspiring
five-tiered
Raja
gopuram,
is
believed
to
be
approximately
1,500
years
old.
At
its
core,
the
temple
features
a
distinctive
Swayambu
lingam,
ingeniously
designed
in
the
shape
of
an
anthill,
flanked
by
Lord
Mahavishnu
on
the
right
and
Lord
Brahma
on
the
left.
A
special
practice
here
is
the
offering
of
abhishekam,
a
ritual
of
devotion,
exclusively
to
the
Avudayar
(base)
of
the
lingam,
rather
than
directly
to
the
lingam
itself.
On
the
full
moon
day
in
the
Tamil
month
of
Karthikai,
the
temple
unveils
the
lingam,
removing
its
covers.
During
these
three
days,
devotees
can
revere
and
offer
their
prayers
to
Lord
Shiva
in
this
unique
anthill-like
form.
It
is
believed
that
this
period
marks
a
time
when
Lord
Vishnu,
Lord
Brahma,
and
the
serpent
Vasuki
pay
homage
to
Lord
Shiva.
The
temple
presents
another
intriguing
facet
–
it
adheres
to
a
theme
of
duality.
Within
its
sanctum,
everything
exists
in
pairs:
two
presiding
deities,
Sri
Adhipureeswarar
and
Sri
Otreeswarar;
two
goddesses,
Sri
Vadivudai
Amman
and
Sri
Vattaparai
Amman;
two
sacred
trees,
Athi
and
Makizham;
two
sacred
theerthams,
Brahma
and
Adhisesha
theerthams;
and
two
distinct
pooja
procedures,
Karana
and
Kameeka.
Notably,
it
is
one
of
the
seven
temples
(Saptha
Vidanga)
in
Thondai
Nadu
where
one
can
witness
the
divine
dance
of
Lord
Thiyagaraja,
known
as
Ananda
Thandavam.
This
gives
rise
to
the
temple's
name,
Ananda
Thiyagesar.
The
temple
is
a
part
of
the
Tri-Shakti
temples,
representing
Itcha,
Kriya,
and
Gnana
Shakthis.
Among
these,
Sri
Vadivudai
Nayaki
at
Thiruvotriyur
is
celebrated
as
Gnana
Shakti.
The
other
two
Shakti
shrines
are
Thiruvudai
Nayaki
at
Melur
and
Kodi
Idai
Nayaki
at
Vada-Thirumullaivayil.
All
three
idols
are
believed
to
have
been
crafted
by
the
same
sculptor.
Worshiping
these
three
goddesses
together,
particularly
on
the
full
moon
day,
at
morning,
midday,
and
evening,
is
believed
to
bring
manifold
blessings.
Legend
has
it
that
Lord
Shiva's
dance
pattern
in
Thiruvottriyur
mirrors
that
of
Thiruvarur,
continuing
the
divine
tradition.
Lord
Maha
Vishnu,
who
missed
witnessing
the
dance
in
Thiruvarur,
is
said
to
have
been
directed
by
Lord
Thiyagaraja
to
observe
it
in
Thiruvottriyur.
This
extraordinary
performance
is
believed
to
have
been
witnessed
by
celestial
beings,
including
Lord
Mahavishnu,
Lord
Brahma,
Romarishi,
Vanmiki
Rishi,
Serpent
Vasuki,
and
Chandran.
The
temple
carries
a
belief
that
Lord
Shiva
blessed
Sage
Agasthiar
with
a
sacred
vision
during
his
wedding.
It
is
also
considered
that
all
27
Nakshatrams
(constellations)
came
here
to
seek
absolution
and
reside
in
the
temple
as
individual
Shiva
lingams.
Visitors
can
view
all
27
Shiva
lingams,
each
representing
a
Nakshatram,
in
the
temple's
corridors.
This
temple
boasts
historical
significance
as
the
place
where
Kavi
Chakravarthi
Kambar
is
believed
to
have
translated
the
Valmiki
Ramayan
from
Sanskrit
to
Tamil.
The
legend
includes
the
Goddess
Vattaparai
Amman
assisting
Kambar
in
his
work
by
taki