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Narwar
Fort
is
situated
atop
a
hill,
at
Narwar
in
Shivpuri
district
of
Madhya
Pradesh,
about
500
feet
above
ground
level
spread
over
an
area
of
8
km²,
which
stands
on
a
steep
scarp
of
the
Vindhya
Range.
Kachwaha
Rajputs
are
said
to
have
built
(or
rebuilt)
the
fort
when
they
occupied
Narwar
in
the
10th
century.
Kachwaha
Rajput
,
Pratihara
Rajput
,
and
Tomara
Rajputs
held
Narwar
successively
from
12th
century
onwards,
until
its
capture
by
the
Mughals
in
the
16th
century.
It
was
conquered
by
the
Maratha
chief
Scindia
in
the
early
19th
century.
This
fort
has
been
occupied
by
Kachhwaha
Rajputs,
Scindias,
Sultans
of
Malwa,
Marathas,
Mughals
and
others
who
made
modifications
in
the
style
that
they
favoured.
However,
the
Mughal
influence
is
most
visible
as
they
had
removed
every
trace
of
Hindu
culture
including
the
temples
that
were
built
inside
the
fort.
This
fort
has
been
the
centre
for
Hinduism,
Islam
and
Jainism.
The
renowned
musician
of
medieval
India,
Baiju
Bawra
is
said
to
have
adorned
the
royal
court
of
Raja
Man
Singh
Tomar.
Locals
say
that
both
Sikandar
Lodhi
and
his
father
had
tried
many
times
to
conquer
Gwalior
and
had
failed
every
time.
Finally,
the
decision
was
taken
to
lay
siege
to
the
Narwar
Fort.
This
siege
went
on
for
eleven
months
during
which
Lodhi
made
many
attempts
to
infiltrate
but
soon
realized
that
both
the
morale
of
his
army
and
their
supplies
were
diminishing.
The
food
grains
were
also
in
short
supply
inside
the
fort
and
so
a
proposal
was
worked
out.
A
dancer
was
offered
half
the
kingdom
if
she
would
climb
down
the
fort
and
pass
on
a
message
to
the
intelligence
officer
who
was
waiting
outside
the
fort
to
take
it
to
Gwalior.
The
dancer
came
down
the
fort
in
the
dead
of
night
using
a
rope
and
passed
on
the
message
but
met
with
her
death
while
climbing
back
up
as
someone
cut
the
rope
from
inside
the
fort.
However,
the
message
reached
Gwalior
and
Lodhi
who
was
informed
that
a
mighty
army
was
coming
to
the
aid
of
Raja
Man
Singh
Tomar
immediately
decided
to
lift
the
siege
but
outraged
at
his
defeat,
desecrated
temples
in
the
city
of
Narwar
and
massacred
many
innocent
people.
The
dancer
who
lost
her
life
protecting
the
fort
and
its
people
is
revered
by
locals
even
today.
The
entire
fort
is
divided
into
four
parts
namely
Majhloka,
the
middle,
Dulha-Ahata,
the
western
portion,
Madar-Ahata,
the
south-eastern
section
and
Gurjar-Ahata,
the
southern
most
part.
The
entrance
to
Narwar
fort
is
from
the
east
just
by
the
Alamgir
Gate
previously
called
as
Pisanhari
Gate.
The
original
door
of
the
second
gate,
Saiyidon
ka
Darwaza
is
on
the
verge
of
collapse
but
definitely
would
have
impressive
when
the
fort
was
occupied.
There
are
eight
wells
and
nine
stepwells
built
in
the
8th
century
at
an
elevation
of
399
feet.
It
is
said
that
about
1600
panihara
(ladies
who
used
to
collect
water)
would
fill
water
in
their
pots
simultaneously.
The
huge
water
structure
is
spread
over
390
sq
ft
with
ghats
that
are
30
feet
deep.
Some
of
the
monuments
and
palaces
within
the
fort
are
Phulwa
Mahal,
Alhaudal’s
arena,
Chhip
Mahal,
Hawa
Paur,
Rani
Mahal,
Kacheri
Mahal,
Koriyon
ki
Haveli,
Ladau
Bangla,
Chakki
Mahal,
Rani
Damayanti
Mahal,
Rawa
Parewa
Mahal,
Sunheri
Mahal,
Ram
Janaki
Temple
and
others.
What
is
fascinating
is
that
bath
tubs
are
seen
in
these
palaces
that
are
more
than
500
years
old
with
a
unique
hot
and
cold-water
piping
system
in
place!
The
courtyards,
porches
and
colonnaded
arcades
with
their
interplay
of
light
and
shadow
and
stunning
natural
beauty
in
the
backdrop
are
indeed
spectacular.
Though
the
fort’s
splendour
and
architecture
are
unparalleled,
one
feels
sad
seeing
this
grand
fort
in
ruins.
Written
by
Lakshmi
Subramanian
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