5/5 Maftuna K. 4 years ago on Google • 106 reviews
I
have
several
acquaintances
who
have
made
a
tradition
each
time
on
New
Year's
eve
to
go
to
the
bathhouse,
that
is,
to
the
theater
on
the
Nutcracker,
and
even
Big,
that
is,
to
the
Bolshoi.
And
every
time
I
listen
and
understand
that
some
kind
of
proletarian
preparation
for
the
new
year
comes
out
for
me,
that
is,
well,
it’s
not
until
December
31
that
I’m
ballet.
Meanwhile,
ballet
is
my
love
love.
In
childhood,
I
was
caught
on
a
stool
in
front
of
the
TV
during
the
days
of
mourning
with
the
question:
"Katya,
where
are
you
going?"
"There,
dance
to
them."
I
go
to
ballet
with
great
joy.
To
Bolshoi,
to
the
Mariinsky,
and
to
the
Nutcracker
never.
And
last
week,
thanks
to
the
invitation
of
Moskultura,
I
got
to
the
Novaya
Opera
Theater,
which
is
in
one
of
my
favorite
places
in
Moscow
-
the
Hermitage
Garden.
I
have
not
seen
such
an
accumulation
of
foreigners
for
a
long
time,
because
ballet
is
still
a
visiting
card
of
Russia
no
less
than
the
Kremlin.
I
sat
next
to
a
Japanese
woman
who,
during
the
intermission,
was
very
actively
taking
pictures
of
herself
and
herself,
and
at
the
performance,
apparently
tired,
she
fell
asleep.
And
to
sleep
with
the
music
of
Tchaikovsky
is
a
pleasure,
of
course!
Although
it
was
difficult
for
me
to
sit,
I
wanted
to
circle
in
a
waltz.
And
just
like
in
childhood
"there
to
them."
Stunning
scenery
and
costumes.
Beauty
and
more.
The
main
parties
of
Masha
and
the
Prince
-
Alisa
Voronova
and
Dmitry
Kozhemyakin
-
as
they
say
there
"bravo,
bravissimo"!
Elegant
and
bewitching.
True,
alas,
almost
all
the
support
went
slightly
wrong.
Solo
numbers
of
dolls
and
national
dances
are
pleasure
and
delight,
but
the
corps
de
ballet
raised
questions.
In
places,
it
was
like
a
parody
of
a
ballet.
Such
heavy,
without
air,
not
very
synchronized,
dancing
snowflakes
with
clatter.
This
"Nutcracker"
was
a
guest,
St.
Petersburg
Ballet
Theater.
P.
Tchaikovsky
on
the
stage
of
the
theater
"new
opera".
overall
very
satisfied!
