4/5 Jackie M. 5 years ago on Google
There’s
a
collective
intake
of
breath
in
the
intimate
dining
room
when
everyone
opens
their
menus.
Fanning
out
like
piano
accordions,
each
menu’s
glowing
white
light
captures
guests’
faces
in
a
state
of
childlike
wonder
as
they
scratch
their
heads
and
wonder
what
it
is
they’re
meant
to
eat.
Eat
the
pages
of
the
menu?
It’s
rather
absurd,
but
then
so
is
the
nonsensical
and
satirical
movement
Le
Salon
DadA
is
based
upon.
Being
familiar
with
Marc
Kuzma’s
work
at
El'Circo
at
Slide,
I
entered
Claire’s
Kitchen
at
Le
Salon
with
a
fair
idea
of
what
to
expect.
In
this
setting
Kuzma
(who
is
also
known
as
Claire
de
Lune)
has
kicked
things
up
to
the
next
level
using
a
City
of
Sydney
night-time
diversification
grant.
These
monies
are
all
about
local
council
trying
to
restore
some
of
Sydney’s
faded
night-time
glory,
decimated
by
Gladys
Berejiklian’s
lockout
laws.
Kuzma’s
resulting
night,
(which
will
set
you
back
$140/head)
is
based
upon
Cabaret
Voltaire,
a
Swiss
enclave
of
artists
escaping
the
First
World
War.
DadA
was
anti-establishment,
anti-reason
and
anti-logic.
DadA
was
the
antidote
to
the
bourgeois
capitalist
interests
that
the
artists
believed
had
led
people
into
war
in
the
first
place.
Following
this
line,
our
first
course
takes
curative
form
as
a
wartime
first
aid
kid
with
tongue
depressor,
bandages
and
a
petri
dish
containing
a
smooth
French
mushroom
parfait
topped
with
sauternes
jelly.
Scraped
onto
crackers,
it’ll
sustain
you
through
your
cocktail
construction
–
the
recipe
and
ingredients
are
in
your
bucket.
With
shiso
leaf-infused
vodka,
nettle
liqueur
and
pomegranate
cordial,
it’s
a
tangy,
slightly
more
sophisticated
Cosmopolitan
with
little
blasts
of
sweetness
when
the
pearls
of
passionfruit
and
lime
pop
on
your
tongue.
The
rest
of
your
boozing
is
done
in
the
usual
fashion,
with
many
wines
-
including
the
2017
Cave
de
Turckheim
Pinot
Blanc
($70/bottle)
we
selected
-
available
by
glass,
carafe
and
full
bottle.
The
fresh,
dry
white
wine
proves
easy
to
enjoy
through
some
on-stage
art
that
sees
a
semi-nude
model
enhanced
with
the
f-holes
from
a
cello,
and
some
at-the-table
card
tricks.
It’s
a
multimedia
affair,
with
German
expressionist
film,
The
Cabinet
of
Doctor
Caligari
(1920),
playing
on
screens
placed
throughout
the
dining
room.
Seen
through
the
eyes
of
an
asylum
patient,
the
film
may
leave
you
wondering
what’s
real
and
what’s
not.
Contortionist
Jade
Twist
continues
our
surrealist
descent
by
wearing
a
black
zentai
suit
with
eyes
and
lips
in
all
the
wrong
places.
Tying
herself
in
knots
until
she
looks
like
a
human
pretzel,
Twist
makes
it
hard
to
know
which
way
is
up,
and
which
direction
way
is
forward.
It's
a
perfect
segue
to
a
course
based
upon
The
Persistence
of
Memory
(1931),
arguably
Salvador
Dali’s
most
famous
surrealist
work.
From
the
edge
of
a
martini
glass,
his
melting
pocket
watch
drips
in
cracker
form
to
accompany
a
well-spiced
cold
capsicum
and
tomato
soup.
Your
soup
is
poured
from
a
vessel
that
is
itself
a
nod
to
Dali’s
1972
piece,
Marilyn
Monroe,
shown
up
on
the
screens.
It’s
this
attention
to
detail
that
makes
Kuzma’s
night
so
intellectually
rich
for
art-lovers,
with
clever
details
like
Marcel
Duchamp’s
Bicycle
Wheel
(1913)
in
the
stairwell
on
the
way
up
to
the
dining
room.
Even
the
table
setting
is
done
in
the
style
of
DadA,
down
to
a
DadA
print
cloth
serviette.
Without
wanting
to
give
it
all
away,
the
next
course
–
the
only
hot
course
-
a
rainbow
trout
roulade,
is
a
nod
to
Joan
Miró.
Everything
on
the
splattered
abstract
plate
is
edible,
down
to
the
crisp
fish
bones.
On
the
stage,
the
inimitable
Shauna
Jensen
is
clad
in
a
thematic
‘singing
fish’
(one
of
Miro’s
recurring
motifs)
kaftan,
as
she
belts
out
Ella
Jenkins'
Wade
in
the
Water.
Jensen
returns
later
in
the
evening
with
This
Is
Me
from
The
Greatest
Showman.
It's
guaranteed
to
leave
you
uplifted
–
from
her
talented
lips
the
power
ballad’s
lyrics
sound
inspirational
rather
than
twee.
Le
Salon
DadA
is
a
rich
and
punny,
multimedia
experience
that
will
appeal
to
all
of
your
senses.