3/5 Klein M. 1 year ago on Google
The
museum
is
located
in
an
old
Byzantine
church
which
is
located
inside
the
city's
castle.
There
are
multiple
kinds
of
tickets
for
different
categories
of
visitors
but
the
most
common
ones
are
the
basic
one
which
costs
400
L
and
the
audio
guide
one
which
costs
100
L
more
(500
L)
and
offers
guiding
in
4
different
languages,
including
Albanian.
Me
and
my
friend
took
the
basic
one
and
were
offered
a
printed
guiding
paper.
We
were
offered
a
secure
shelf
to
put
our
backpacks
if
we
so
wished
and
we
were
told
there
were
no
photos
allowed
inside.
This
would
actually
be
reaffirmed
a
couple
of
times
by
the
guard
staying
at
the
door.
The
museum
can
be
broken
down
into
3
sections:
The
main
part
is
the
actual
church
part
which
offers
an
interesting
view
of
a
typical
byzantine
era
church
with
a
large
iconostasis,
it's
thronos
and
the
usual
church
benches.
Some
of
the
dome
frescoes
are
damaged
but
the
floor
mosaics
are
in
very
good
conditions.
The
second
part
is
located
in
the
sanctuary
place
of
the
church
and
is
the
place
where
Codex
Purpureus
Beratinus,
one
of
the
most
important
liturgical
works
in
Albania,
was
found.
The
third
part
is
the
collection
of
icons
and
some
other
liturgical
items
which
are
located
mostly
on
the
second
floor.
Most,
if
not
all,
of
them
are
made
by
Onufri
and
his
era
contemporaries
and
some
of
them
have
some
Albanian-English
papers
close
to
them
giving
further
details.
When
we
got
out
we
were
informed
by
the
guard
that
we
had
to
return
the
printed
information
guide.
I
utilised
this
moment
to
ask
some
historical
questions
to
the
museum
staff
which
were
more
than
helpful
to
answer
each
of
them
and
even
provide
extra
information.
All
in
all
I
can
say
that
the
museum
does
offer
a
great
potential
given
its
architectural,
historical,
liturgical
and
artistic
values
that
it
has
intertwined
in
itself.
Unfortunately
though
I
believe
that
potential
has
yet
to
be
fully
utilised.
The
overall
experience
may
appear
rather
poor
to
art
history
uninformed
people,
its
main
points
of
interests
could
benefit
from
some
good
layed
out
information
or
different
artistic
enhancements
(such
as
short
movies,
etc.)
and
the
overall
visit
flow
could
be
improved
(some
of
the
items
did
have
QR
codes
close
to
them
but
we
felt
uneasy
bringing
our
phones
out
for
scanning
because
of
all
the
verbal
warnings
that
were
constantly
given
to
not
make
photos,
the
printed
guide
didn't
mention
anything
about
the
second
floor
which
we
could
have
fully
missed
if
not
for
the
walking
noise
we
heard
upstairs
and
returning
it
in
the
end
wasn't
mentioned
in
the
beginning
-
"the
whole
get
it
and
return
it"
experience
may
feel
rather
unnatural).