4/5 thomas z. 4 years ago on Google
After
extensive
renovation
this
highly
charged
museum
is
highly
recommendable,
careful,
it
is
quite
challenging
to
face
colonial
past
and
difficult
ethical
questions
by
nations,
governments
and
people!
Perception
and
manipulation
may
make
any
historical
revisiting
rather
complicated
and
difficult
to
navigate
-
in
the
case
of
the
museum
in
question
here,
a
lot
of
thought
and
hindsight
came
to
play
and
has
resulted
in
a
worthwhile
positive
outcome!
The
setting
of
this
form
palace
is
outstanding,
making
the
trip
even
in
unfavorable
weather
a
great
outing.
The
grounds
alone
are
great
for
walks
and
airing
out
urban
stiffness
and
tension.
The
exhibition
space
concept
is
organized
with
political
correctness,
without
provocation
and
outright
finger
pointing!
A
bit
didactic
but
nevertheless
really
interesting
objects
of
the
combination
of
aging
stuffed
animals
mixed
with
mixed
media
info
streams
in
the
right
pace
allow
discovery,
thoughtful
lingering
and
new
understanding
of
a
painful
hard
to
understand
exploitation
by
Europeans
in
the
African
continent.
What
is
missing
here
is
the
remainder
of
the
exploitation
and
or
the
ability
to
transform
guilt
into
reconnection
and
forgiveness
-
naturally
difficult
subjects
to
actually
demonstrate
in
a
museum
-
however,
the
highlights
were
a
guided
tour
by
dancers
that
helped
ease
into
the
different
spaces
and
the
integration
of
the
musical
interpretation
and
influence
of
music
as
the
most
important
transient
source
code
in
the
rich
cultural
heritage
of
African
dance
and
song
as
the
root
source
to
a
great
number
of
modern
pop
music
and
its
interprets!
Kudos
to
the
curators,
designers
and
historians
-
the
wonderful
passage
underground
with
the
carved
canoe
in
dark
wood
symbolized
the
entry
into
this
dark
chapter
of
European
consciousness,
being
pampered
in
the
first
rate
restaurant
beforehand,
brings
out
our
own
hypocrisy
in
this
showcase!
