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Freestanding
stone-built
Greek
Revival
Catholic
cathedral,
built
1814-25,
on
cruciform
plan
with
pedimented
portico.
Possibly
designed
by
John
Sweetman,
with
involvement
of
John
Taylor
and
George
Papworth.
Altered
and
extended
c.1835,
c.1840,
c.1857
and
c.1928.
Roof
concealed
by
coursed
granite
ashlar
parapet
walls
with
replacement
metal
rainwater
goods
breaking
through
to
re-entrant
angles.
Single-span
pitched
slate
roof
with
ridge
running
east
to
west,
interrupted
in
centre
by
large
copper
clad
dome
on
octagonal
base.
Roof
bowed
to
west
apse
with
hipped
slate
roofs
to
four
corner
pavilions
and
later
accretions.
Deep
moulded
Portland
stone
cornice
to
base
of
parapet
spanning
front
and
side
elevations
with
mutules
and
guttae
having
frieze
below
enriched
with
triglyphs
and
metopes,
plain
to
pavilions.
Coursed
squared
granite
ashlar
walls
with
platband
at
sill
level,
squared
coursed
calp
limestone
to
rear
elevation
only.
Prostyle
hexastyle
Greek
Doric
portico
executed
in
Portland
stone
with
fluted
columns
on
raised
granite
plinths
and
full-span
pediment
surmounted
by
three
statues
by
Thomas
Kirk,
added
c.1845.
Central
double-height
square-headed
door
opening
with
moulded
granite
architrave
surround,
double-leaf
flat-panelled
wood-grained
timber
doors
and
overpanel.
Door
opening
flanked
by
marble
water
fonts
set
into
walls
with
further
square-headed
door
opening
to
either
side
with
moulded
architrave
surrounds
and
double-leaf
flat-panelled
wood-grained
timber
doors
with
incorporated
lights.
Doors
opens
onto
granite-paved
stylobate
with
seven
granite
steps
with
entire
east
and
south
railed
areas
paved
to
height
of
raised
plinth
wall.
Square-headed
blind
window
to
both
cheeks
of
portico
with
architrave
surrounds
and
entablature.
All
four
projections
have
pedimented
tripartite
window
opening
executed
in
Portland
stone
with
Doric
columns
fronting
stone
mullions,
twelve-over
twelve-pane
timber
sliding
sash
windows
to
southeast
and
northwest
projections
and
fish-scale
leaded
stained
glazing
to
southwest
projection.
Colonnaded
central
wing
to
east
elevation
has
granite
ashlar
walls
and
five
square-headed
window
openings
with
fish-scale
leaded
stained
glass
flanked
by
engaged
fluted
Portland
stone
Doric
columns
supporting
Portland
stone
Doric
entablature
and
parapet
wall
with
corresponding
squat
piers.
To
central
bay
of
colonnade
is
advanced
granite
doorcase
with
architrave
surround,
decorative
frieze
and
cornice
and
double-leaf
timber
panelled
doors.
Informal
rear
elevation
has
voussoired
segmental-headed
recess
containing
tripartite
window
opening
with
granite
mullions
surmounted
by
console
brackets
supporting
lintel
cornice
and
having
leaded
stained
glazing.
Recessed
door
opening
with
granite
surround
and
flight
of
granite
steps
with
double-leaf
timber
panelled
doors
and
wrought-iron
gate.
Rear
elevation
extends
to
north
as
single-storey
granite
accretion
with
further
two-storey
block
having
Diocletian
window
openings.
Front
and
south
side
elevations
are
enclosed
to
street
by
decorative
wrought
and
cast-iron
railings
and
set
on
raised
granite
plinth
with
scrolled
iron
panels
surmounted
by
crucifixes
and
matching
iron
gates.
Apsidal-ended
colonnaded
basilica-plan
interior
with
central
raised
altar
below
dome,
side
aisles
and
ambulatory.
Principal
entrance
porch
to
east
with
organ
gallery
above
(1893,
dedicated
to
James
Joseph
Cunningham)
supported
by
two
slender
Corinthian
columns
and
with
ornate
floral
balustrade
and
brass
handrail.
Decorative
mosaic
tiled
flooring
to
nave
and
side
aisles
and
marble
flooring
to
altar.
To
southwest
is
parish
office,
with
sacristy
to
northwest.
Front
of
altar
table
carved
by
Peter
Turnerelli
in
1825
depicting
pair
of
kneeling
angels.
Ambulatory
contains
two
altars:
Sacred
Heart
(on
north
side)
and
Blessed
Virgin
(on
south
side),
dating
from
eighteenth
century
from
former
church
on
Liffey
Street.
Side
altars
to
aisles
dedicated
to
Saint
Joseph
(north
aisle)
and
Saint
Laurence
O'Toole
(south
aisle)
are
restrained
Corinthian
marble
aedicules
of
1861
by
J.
Lyons.
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